Sarah Hartman is featured in this week’s Friday Flicker. Owner of Midwest Paddlesports, Sarah teaches SUP and kayaking to all ages and abilities in a variety of venues around Chicago. She completed a 60 mi crossing of Lake Michigan and a solo expedition to Great Slave Lake. This summer she will be kayaking in Alaska and working on her ACA Level 4 instructor cert. In the coming months, Friday Flickers will feature short bits of interviews to reveal the story behind, “Paddling in Spite of the Ordinary”.
A few days ago, I went to the Soup and Bread benefit night at the Hideout pub. My friend, Chuck Sudo, editor at the Chicagoist, was moderating a discussion with three artists from Chicago. The discussion theme was how does living in Chicago influence one’s art. Tony Fitspatrick, graffiti/collage/tatoo artist, said that everyone has their own Chicago. We all have a story or memory that we want to get back to whether it is last summer or that certain neighborhood corner market that no longer exists. As I work on Paddling in Spite of the Ordinary, I am reminded of why I want tell stories. It is the act of making stories that keeps me engaged. Part the challenge will be if the stories I tell will take us back or forward.
I’ve decided to start a new series of teasers for Paddling in Spite of the Ordinary(to be released in 2016). Enjoy the first in the series.
I am working on the trailers for Paddling in Spite of the Ordinary. Below, is a video still shot from one of my recent edits. The film is going to take the form of a series. Each of my subjects will have their own segment or episode that will capture their story.
These last few weekends have entailed tweezing out the story. Follow-up interviews have revealed important dovetails that will nestle among the paddling footage
For a variety of reasons, Fulbright grants, study abroad, volunteer service gigs, traveling, I stopped making art for ten years. I took up kayaking after learning that a lump I had removed was benign. Six months later, I was kayaking every weekend, I got a grant to study in Japan, and stayed in hostels in Alaska. As I began to attend kayak symposiums, take kayak lessons, and generally mess around in my kayak, I discovered that learning to kayak had opened up creative flows that I had not accessed for a while. Kayaking taught me new ways to learn, accept feedback, believe in myself and grow. While my path back to creating art has been slow, saw tooth path, it is the kayaking community that helped lead me down this creative journey. This learning process gave me the confidence to re-kindle my love for photography and film.
After getting a grant to take some digital photography and video classes at Ringling College, I bought a new camera and started shooting. My main photography subjects are the urban Chicago watersheds. I find the best times to shoot are during the gray muddy days when the sun occasionally flare its blood orange rays through January charcoal skies.
As I continued to develop my kayaking skills, I enrolled the Documentary Studies program at Duke University’s Center for Documentary Studies. My Duke mentors have guided me through writing a pitch, scripting/format ideas, grant ideas, and work flow.
I am often asked how do I find the time do this project. I don’t watch a lot of T.V. or movies. I don’t know who are most popular Hollywood stars. I do watch outdoor adventure films and documentaries. Right now in my free time, I listen to music for soundtrack ideas. Writing down goals, Google calender, keeping a journal, and using Evernote help keep the goals and ideas organized. Evernote contains grant links, crowd sourcing ideas, and future documentary ideas (journey to Finland to research a letter from my Swedish-speaking Finn relatives).
Mostly, it is the family, friends, and kayaking community collaboration and support, that keeps my creativity flowing. I find that my conversations with the community often lead to ideas about marketing, editing, and the documentary story.